2012-07-15

The Dilbertic Method

The Socratic Method takes a lot of flak from law students and lawyers, many of whom regard it as some form of hazing/hiding the ball/rite of passage. Those are not entirely inaccurate criticisms--by which I mean to say that while I think the method has its place, I never much enjoyed it as a student. For that reason--and for the more important reason that mixing up teaching methods helps (I hope) keep class more interesting and is more conducive to learning--I do not rely on the Socratic Method all that heavily.

I am writing about the Socratic Method because of today's Dilbert comic strip. It was, yet again, about the pointy-haired boss. When I read today's strip (11/25/07, which is available in the Dilbert archives here), my first thought was, "Wow, I used to have a boss just like that." (And no, I am not telling you who it was.)

And then I started thinking about this Dilbert strip in the context of the law school classroom, and it got even better. And funnier. First you need to read the strip. And then you need to read on.

When Dilbert's boss says "I need you to do something, but I don't have time to explain it," that's akin to the feeling law students sometimes get when called on in class under the Socratic Method. That is, you read the cases, think you know where the material is going--and then you go to class, and BOOM, you have no idea what is going on. All kinds of ideas are being extrapolated from the text by the professor. And then you get called on socratically. You hear the words, but what do they mean? What's the answer? In fact, what's the question?

Then the professor asks some sort of leading question, which is intended to facilitate class discussion and critical thinking, but it smells and feels like a trap. Which is sort of like Dilbert's boss saying, "I'll give you just enough information to send you down the wrong path." Like I said, a trap.

Then the professor asks a follow-up question that reveals a potential flaw in your answer or argument. Like I said, a trap, and you have to think your way out of it, shooting from the hip all the while. Which is like Dilbert's boss then saying, "After you do it wrong I'll treat you like you're some sort of idiot . . . [and] then I'll put you through the embarrassment of undoing everything you did." You are faced with revising your answer, in front of the whole class. Not a lot of fun. It's a good skill, mind you--lawyers need to be able to think on their feet and argue their points (we are advocates, after all)--but it is often not fun.

And of course, the ultimate judgment on what students say and think is--grades. It is a common feeling for students to think that a course has been one big game of "hide the ball," and that final exams, especially in the first year, are a crapshoot. Only after you have taken them do you get the chance to figure out if you guessed right or not.

So, Dilbert is funny. Ha ha. But law school is serious business. A lot of what this strip suggests, in the Socratic context, is that law school classes would be better with less hiding of the ball, more engaging teaching, more frequent testing (whether actually for grades or mock exams,) and a lot of other changes. I've actually written an article about it, which I will be posting about soon. In the meantime, we can learn how to improve law schools from Dilbert.

Sounds Like the Law

I heard a story on NPR's Morning Edition today that has to be blogged about. Boston University Law Professor Mark Pettit sings in his Contracts class. What's more, his songs are parodies of pop songs, and they are about the cases he teaches in Contracts. I suppose the experience of being in his class, when he sings, must be like learning the law from Weird Al Yankovic.

There is a good bit of scholarly literature on the subject of humor in education, and how humor improves learning. For a list of some scholarly articles on the subject (all of which are presumably not funny), see here.

Pettit is admirably shameless. People remember something when they laugh about it, and words set to music or in poetry are easier to remember. And as the NPR piece demonstrates, Pettit has engaged students both in and outside the classroom: they pay attention in class, they think about the subject of Contracts outside of class, and they write lyrics for Pettit to perform. That's what's called active learning, and it improves the quality of education. And it makes the experience more fun.

Maybe I should have a Contracts lymerick contest next semester. Or for that matter, why not now? So here are are two lymericks-in-progress for my next class, on the subjects of (a) Leonard v. Pepsico (the video referred to in the case is located here) and (b) Empro Manufacturing Co. v. Ball-Co Manufacturing, Inc., 870 F.2d 423 (7th Cir. 1989) (I can't find a free link to the case). Those who have nothing better to do--and those who do have something better to do but would rather do this--can complete the lymericks and post as comments. Feel free, of course, to revise the lymericks as needed. And it goes without saying, but I will say it anyway: keep it clean!

Re PepsiCo:

Pepsi Co did firmly reject
Leonard's claim for a Harrier Jet
[Fill in the rest?]

Re Empro:

When its letter of intent was rejected
Empro said "contracts must be respected"
[Fill in the rest?]

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